Business Is Business ![]() Turkish Delight ![]() Katie Tippel ![]() Soldier of Orange ![]() Spetters ![]() The 4th Man ![]() Flesh + Blood ![]() Special Features: -Audio Commentary by Director Paul Verhoeven -Composing Flesh + Blood Featurette -Original Theatrical Trailer Robocop ![]() RoboCop, from Orion Pictures, marked director Paul Verhoeven's (Flesh + Blood) Hollywood debut and now the future of law enforcement is back in a definitive Blu-ray presentation packed with hours of brand new bonus features & exclusive collectible Steebook packaging. STEELBOOK CONTENTS 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven Director s Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-rayTM discs Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts Optional English subtitles for the deaf and hard of hearing on both cuts Limited edition collectors' booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth DISC ONE DIRECTOR S CUT Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director s Cut) New commentary by film historian Paul M. Sammon New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures The Prodigy) Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film s ensemble cast was assembled Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a newly filmed tour of super-fan Julien Dumont s collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director s Cut Production Footage, raw dailies from the filming of the unrated gore scenes Two theatrical trailers and three TV spots Extensive image galleries DISC TWO THEATRICAL CUT Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film) Two Isolated Score tracks (Composer s Original Mix and Final Theatrical Mix) in lossless stereo Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only) Split screen comparison of Theatrical and Director s Cuts RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements RoboCop ![]() Total Recall ![]() Basic Instinct ![]() Showgirls ![]() Starship Troopers ![]() Hollow Man ![]() Paul Verhoeven Collection ![]() When Turkish Delight (1973) opens on a brutal attack and then a succession of one-night stands, it seems that bohemian artist Eric Vonk (Rutger Hauer, collaborating for the first time with Verhoeven) is a complete jerk. Then a sudden flashback reveals the motivations for both his dreams and behavior, as well as the subject of the photos he spends his time pining for. He meets Olga (a fantastic Monique van de Ven), but their tempestuous relationship is shaken by many peculiar events: a surreal wedding ceremony, unveiling a statue to the Queen, and the death of Olga's father. The real problem is Olga herself, however, which leads to a shock ending many have compared to Love Story. Somewhat dated now, Turkish Delight is nonetheless unmistakably a product of the now-familiar Verhoeven style. Katie Tippel (1975) is a handsome period drama set in 19th-century Holland, based on a true story. The second eldest daughter in a poor family, Katie (Monique van de Ven) must find whatever work is going to make ends meet. As she enters a succession of jobs in which she experiences both exploitation and sexual harassment, she learns that men want her for only one thing and so she enters prostitution. However, she is finally able to escape the poverty trap and ascend the social ladder, particularly when banker Hugo (Rutger Hauer) takes her as his lover. All this is set against a backdrop of social foment as the workers' impatience at poor social conditions increases. Based on real events, Soldier of Orange (1977) tells the story of Dutchman Erik Lanshof (a star-making performance by Rutger Hauer) and a small group of students as they struggle to survive the Nazi occupation to the end of the Second World War. Across a canvas lasting almost three hours, Verhoeven unfolds a saga of friendship, espionage, and romance with almost documentary realism, crafting a deeply affecting film widely regarded as the greatest ever made in Holland. Only two years separate The Fourth Man (1983), Verhoeven's final Dutch language movie, and the explosive commencement of his Hollywood career. This savage comedy shocker could well be seen as a trial run for Basic Instinct, since it features an ice-cold seductress (Renée Soutendijk) with mysterious motivations and sexual preferences. The hallucinatory tale follows a novelist (Jeroen Krabbé) first falling for her, and then feverishly investigating whether she's a serial husband killer. The film is full of what would soon be recognized as Verhoeven trademarks: a little blasphemy, a lot of nudity, dispassionate characters, and hidden agendas. Black Book ![]() Elle ![]() Benedetta ![]() |