The Killing ![]() Fear and Desire ![]() In the process, they encounter a peasant girl (Virginia Leith) and tie her to a tree, where she is tormented by a mentally unbalanced soldier (future director Paul Mazursky). Before making their escape, the soldiers determine the location of an enemy base and formulate a plot to assassinate its commanding officer. Independently financed, and shot by a skeleton crew - with Kubrick controlling almost every aspect of production - FEAR AND DESIRE was conceived as a European-style art film, cloaked in the guise of a Hollywood war picture. Kubrick described the film to distributor Joseph Burstyn as allegorical and poetic. ''A drama of 'man', lost in a hostile world-deprived of material and spiritual foundations-seeking his way to an understanding of himself, and of life around him.'' Beautifully restored and remastered in HD from an original camera negative and thanks to the preservation efforts of the Library of Congress, Kino Lorber is proud to share with the world FEAR AND DESIRE, fresh from the 24-year-old mind of the man who would become the most influential filmmaker of his generation. BONUS FEATURE: ''The Seafarers'', A short subject film, restored and remastered in HD (for the first time) by the The Museum of Modern Art & The Film Foundation. Killer's Kiss ![]() The Killing ![]() Paths of Glory ![]() Paths of Glory ![]() Spartacus ![]() Lolita ![]() Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb ![]() 2001: A Space Odyssey ![]() A Clockwork Orange ![]() A Clockwork Orange ![]() Barry Lyndon ![]() TWO-BLU-RAY SPECIAL EDITION FEATURES - New 4K digital restoration, with uncompressed monaural soundtrack - Alternate 5.1 surround DTS-HD Master Audio soundtrack - New documentary featuring cast and crew interviews as well as excerpts from a 1976 audio interview with director Stanley Kubrick - New program about the film's groundbreaking visuals, featuring focus puller Douglas Milsome and gaffer Lou Bogue, as well as excerpts from a 1980 interview with cinematographer John Alcott - New program about Academy Award winning production designer Ken Adam with historian Sir Christopher Frayling - New interview with editor Anthony Lawson - French television interview from 1976 with Oscar-winning costume designer Ulla-Britt Soderlund - New interview with critic Michel Ciment - New interview with actor Leon Vitali about the 5.1 surround soundtrack, which he cosupervised - New piece analyzing the fine-art-inspired aesthetics of the film with art curator Adam Eaker - PLUS: An essay by critic Geoffrey O'Brien and two pieces about the film from the March 1976 issue of American Cinematographer Barry Lyndon ![]() The Shining ![]() Full Metal Jacket ![]() Full Metal Jacket ![]() Eyes Wide Shut ![]() |